Lisa Myers
"and from then on we lived on blueberries for about a week"Lisa's video work in 2013
BlueprintsOld SpoonsArtwork ONLINEFood and CollaborationsBlueberry SpoonsVans Reconstructed
Along the TracksStill HereWalkingLounge SeriesStrawberry SpoonsWater TableMiijimBlueprint Garden River bridge
Artist Statement
I consider walking and cooking as research methods for art making. Using video, super eight film, photographs, sound, and writing as documentation sources, I delve into stories and experiment with ways to retell or re-construct narratives in sculptural and installation form. I use a range of media and materials in my artwork including print making, sewn structures and surfaces often involving video projections, audio and the assemblage of materials such as food, seeds, canvas and beads. The tactile nature of working with these materials is similar to the creative process of cooking. Each ingredient has a story and its origin or cultivation contributes to the meal, as do the materials that I bring together in my artwork. The emphasis on food and place resonate through much of my work and reifies the stories and meaning embedded and imbued on these elements.

In addition to being an artist, Lisa Myers is an independent curator, musician and chef. These disciplines inform her various practices. She grew up in southern Ontario. Lisa's Mother's family is Anishnaabe and French from Shawanaga and Beausoleil First Nation in the Georgian Bay region, and her Dad is from English and Austrian ancestry who settled in southern Ontario. In 2011, Myers earned her Master of Fine Arts in Criticism and Curatorial practice from OCAD University, which focused on the use of food in Indigenous art practice. She has exhibited her work in solo and group exhibitions in venues including , Urban Shaman (Winnipeg), Art Gallery of Peterborough and the Art Gallery of Ontario. Lisa works and lives in Port Severn and Toronto, Ontario.

Curatorial Statement
My research considers the encoding and the role of materials as signifying power relations and sense(s) of value. I take these ideas in different directions in my curatorial projects to examine commodity chains, performance of materials, customary and cosmological value focusing on Indigenous art in North America. I originally began this line of inquiry with considering food as a material in artwork by Indigenous artists. My independent curatorial projects include "NOT SO FAST" (2013) at York Quay Centre at Harbourfront in Toronto and "past now" (2010) at the MacLaren Art Centre, "Night Kitchen Under the Table Top" (2012) for Nuit Blanche at OCAD U, and "Recast" (2014) at Gallery 44.

Upcoming Curatorial Projects:

Trinity Square Video - October 2016 - stay tuned for more details.

Recent Traveling Curatorial Projects
Reading the Talk has two additional locations added since the exhibition at the MacLaren Art Centre in Barrie. The show continues at Rodman Hall in St Catherines through to August 21st, 2016!
RTT will then travel to its final location at the Woodland Cultural Centre in 2017!
Co-curated by Rachelle Dickenson and Lisa Myers

Reading the Talk presents how contemporary artists Michael Belmore, Hannah Claus, Patricia Deadman, Vanessa Dion Fletcher, Keesic Douglas and Melissa General engage their artworks in critical conversations about relationship to lands, region and territory, while considering distinct indigenous perspectives on the history of treaties in this land now referred to as Canada. These artists lead us through contemporary perspectives that expand concepts of land value beyond resource extraction and private property interest.

Recent Exhibitions and Projects

Artist in residence at the AGO from September 8th to November 6th, 2015.

Group show "Forage" at Harbourfront in Toronto: